’The Albino’ No. 2 in Sweden
Pascal Engman and Johannes Selåker’s newly published The Albino, the 4th installment in the Nightfall series, sails to No. 2 on the Swedish hardcover list this week.
Pascal Engman and Johannes Selåker’s newly published The Albino, the 4th installment in the Nightfall series, sails to No. 2 on the Swedish hardcover list this week.
Pascal Engman’s Bestseller is still No. 1 on the paperback lists, which marks its 6th consecutive week in the top spot. Meanwhile, Kristina Ohlsson’s Beyond Rescue debuts at No. 4 on the same list.
Love Forever, written and directed by Staffan Lindberg, will launch globally on Netflix on Friday February 14. This heartwarming romantic comedy feature is set on the gorgeous island of Gotland, Sweden and tells the story of a Stockholm couple that plans to get married, but family-imposed traditions turn their most important day into a disaster.
The star-studded cast is led by Charlie Gustafsson, Kjell Bergqvist, Barbro “Babben Larsson”, Philip Oros, Claes Malmberg, Matilda Källström and Anja Lundqvist.
In UR’s new drama series Alla andra kan dra åt helvete, past and present meet in a story about friendship, loyalty and dark secrets in a student dormitory. Starring Mustapha Aarab, Shayan Fagern and Simon Lööf, the series depicts the mental state of young men during a vulnerable time, and is created by Andreas Öhman and Daniel Sawka.
Alla andra kan dra åt helvete is available for streaming on UR Play and SVT Play, and airs on SVT1 on Sundays.
Aaron Paul (Breaking Bad, Westworld) and Jacob Tremblay (Room, Good Boys) are set to star in the upcoming elevated horror The Night House, adapted from Jo Nesbø’s bestselling novel with the same name. The feature is directed by Jesper Ganslandt (Snabba Cash, Falkenberg Farewell), and produced by Steven Schneider (Split, Insidious, Paranormal Activity) and Hope Studios’ Fredrik Wikström Nicastro (A Man Called Otto, Borg vs. McEnroe). The screenplay is written by Ganslandt and Nesbø.
Tremblay and triple Emmy winner Paul play younger and older versions of the protagonist, Richard, with the official plot synopsis reading as follows:
In the wake of his parents’ recent death, highschooler Richard (Tremblay) has been sent to live with relatives in the remote town of Ballantyne. One day, during an innocent prank call in a phone booth, Richard shockingly witnesses his classmate violently get sucked into the phone receiver and disappear without a trace. Police suspect Richard to be responsible, and no one believes his story except Karen – a fellow teenage outsider. As Richard and Karen try to understand their friend’s unspeakable death, they soon realise they have unleashed terrifying evil forces. In this twisted spin on a classic horror story, and as reality starts to blur, we must ask ourselves – can we truly trust Richard, and can he even trust himself?
“Jo Nesbø’s The Night House is a haunting, fresh, and utterly gripping horror — I can’t wait to see it take shape in collaboration with the super talented Jesper Ganslandt, Hope Studios and the incredible talents of Aaron Paul and Jacob Tremblay,” Schneider said in Variety’s exclusive coverage of the announcement. “Together, we’re set to deliver something truly unforgettable!”.
“I couldn’t have wished for better actors than Jacob and Aaron to headline this film. We also happen to share the same goal which is turning this into a seriously disturbing psychological horror movie, unlike anything you’ve ever seen before!” added Ganslandt.
Nicastro of Hope Studios said: “It’s a gift to be adapting work from one of the best storytellers in the world, and it’s testament to the gripping plot and Jesper’s brilliantly creepy take that we’ve landed the fantastic Jacob and Aaron to anchor the piece.”
The film is currently in pre-production, set to shoot this summer mainly in Álava, Spain. Executive producers are Nesbø, Jonas Fors, Niclas Salomonsson and Juan Solá of Federation Spain and Dave Bishop, George Hamilton and James Pugh of Protagonist Pictures.
Read the full article in Variety by clicking ‘Read More’ below.
The much-anticipated new Netflix crime mystery series, The Åre Murders (Åremorden), premiered on Netflix February 6. The series is based on the successful books Hidden Snow and Hidden in the Shadows by Swedish bestselling author Viveca Sten.
The Åre Murders explores themes of resilience, trust, and human vulnerability as suspended police officer Hanna Ahlander finds herself drawn into a chilling missing-person case while staying at her sister’s vacation home in Åre.
The impressive Nordic cast is led by Carla Sehn and Kardo Razzazi, alongside actors Agnes Kittelsen, Linton Calmroth, Viktor Åkerblom, Philip Oros, Charlie Gustafsson, Frida Argento, Jon Øigarden, Olle Sarri, and Moa Gammel.
The Åre Murders is written by Karin Gidfors and Jimmy Lindgren, and directed by Joakim Eliasson and Alain Darborg.
Helene heads out to a desolate farmhouse to visit her friend Anita, who she has acquainted after they both accused the same famous TV-host of sexual harassment. Anita has gone underground, having been subjected to an intense witch hunt on social media from people believing she has made up the accusations. Helene has thus far managed to remain anonymous, but now the man stands before a comeback to the national TV-screens and wishes to be cleared of the accusations. Helene fears her identity will be revealed in the process. The two women have up until now supported one another, but throughout the stay Helene grows more and more doubtful about what really happened to Anita back then – and to herself. How well do they really know each other – and their respective hidden motives? And what will happen to them now that the media circus threatens to kick off all over again?
Know That We See You is a psychological drama about the fault lines between truth and lie when you’re in the eye of a media frenzy. And cannot get out.
Lisa Ridzén’s debut When the Cranes Fly South continues to fly high, earning a nomination for Norrland’s Literature Prize. Ridzen’s bestselling novel is one of five nominees in the adult fiction category.
Norrland’s Literature Prize has been awarded annually since 1973 to the best book that has a clear connection to the Swedish north. The winner will be announced this summer.
Jo Nesbø’s Wolf Hour remains firmly at No. 1 on the hardcover list, while Pascal Engman’s Bestseller continues to lead the paperback rankings. Both titles have held their top spots for five consecutive weeks.
Netflix has released an official clip for the Swedish crime drama The Glass Dome set to premiere on April 15. Based on an idea by Camilla Läckberg, The Glass Dome is directed by Henrik Björn and Lisa Farzaneh.
Brazil, Companhia das Letras
Three-book deal closed by Emma Granberg
Arab World, Al Arabi
Closed by Emma Granberg
Sri Lanka, Sunera Publishers
Closed by Emma Granberg
Spain, RBA
Closed by Tor Jonasson
Lithuania, Lectio Divinia
Three-book deal closed by Emma Granberg
Galicia, Rodolfo e Priscila
Closed by Emma Granberg
I loved The Isle of a Thousand Stars because it reached a deep, hidden part of my soul – a place where emotions need no name. /…/ As for a seventh-grader like me, The Isle of a Thousand Stars may simply be the saddest yet most beautiful dream I’ve ever experienced.
– VnExpress
Johana Gustawsson and the Norwegian Thomas Enger form a unique duo, delivering a successful thriller where the city of Oslo isn’t there for exoticism, but becomes, as the pages turn, a character in its own right—cold, silent, and terribly human.
– GAEL
[E]ven though it’s all very sad, reading this book is incredibly comforting.
– Bayern1 Radio
Bestselling authors Johana Gustawsson and Thomas Enger deliver an addictive psychological thriller. /…/ [Enger and Gustawsson] skillfully dole out clues and are masters of plot twists, maintaining a brisk pace and constant suspense. We eagerly await the sequel!
– S2PMag
[A] dark and gripping crime novel that launches a new series already destined for international success.
– Envols
What does it really mean to be in debt to someone? How does our financial worth permeate the ways we think and feel? And what do we lose when we supposedly win? ‘Small Comfort’ skewers its characters, slyly implicating the reader along the way.