Helene heads out to a desolate farmhouse to visit her friend Anita, who she has acquainted after they both accused the same famous TV-host of sexual harassment. Anita has gone underground, having been subjected to an intense witch hunt on social media from people believing she has made up the accusations. Helene has thus far managed to remain anonymous, but now the man stands before a comeback to the national TV-screens and wishes to be cleared of the accusations. Helene fears her identity will be revealed in the process. The two women have up until now supported one another, but throughout the stay Helene grows more and more doubtful about what really happened to Anita back then – and to herself. How well do they really know each other – and their respective hidden motives? And what will happen to them now that the media circus threatens to kick off all over again?

Know That We See You is a psychological drama about the fault lines between truth and lie when you’re in the eye of a media frenzy. And cannot get out.

Netflix has released an official clip for the Swedish crime drama The Glass Dome set to premiere on April 15. Based on an idea by Camilla Läckberg, The Glass Dome is directed by Henrik Björn and Lisa Farzaneh.

Netflix has released a first clip from The Electric State, the Russo brothers‘ adaptation of Simon Stålenhag‘s narrative art book.

The Electric State follows a young woman (played by Millie Bobby Brown) who embarks on a perilous journey across the American West in search for her younger brother. Along the way, she is joined by a mysterious toy robot and the roguish smuggler Keats (Chris Pratt). Together, they’ll unravel a mechanical conspiracy at the center of the American heartland.

In a new clip released as part of the Next on Netflix event, the trio catches a ride in a retro VW van — perched on the shoulder of an enormous bot (voiced by Anthony Mackie).

The movie premieres exclusively on the streaming platform on March 14 2025.

Read the full article in Tudum by clicking “Read More” below.

The Swedish Storytel Awards of 2025 are now available and open for the public’s vote.

Among the nominated in the category Crime & Suspense are Lars Kepler with The Sleepwalker, Pascal Engman’s No One, and Kristina Ohlsson with Beyond Rescue.

Moa Herngren’s The Inheritance is nominated in the Fiction category.

In the children’s category, nominees include Martin Widmark’s The Space Mystery and Tina Mackic’s The Summer Shadow and the Water Prank.

The winners will be announced at the Storytel Awards gala on March 19.

Lisa Ridzén’s runaway bestselling debut When the Cranes Fly South has won the Swedish Adlibris Awards of 2o24 in both categories that she was nominated for: ‘Fiction of the Year’ and ‘Debut of the Year’. She further becomes the first nominee in the award’s history to win two categories.

Faithless, based on the 2000 film directed by Liv Ullman and written by Ingmar Bergman, has premiered on SVT to fantastic reviews.

The lauded TV series is directed by Tomas Alfredson from scripts adapted by writer Sara Johnsen.

“The sinfully sexy TV series version of Faithless outshines the original feature film. /…/ It is incredible to see how Tomas Alfredson and the Norwegian screenwriter Sara Johnsen make this old story their own. They latch on to that which feels timeless about breakups and divorce. And they touch down on the most important old key scenes, whilst otherwise acting freely and independently.”
– DN, Sweden ★★★★★

“A beautiful monument to the consequences of infidelity. /…/ It’s elegant, glossy, and, just like a good flirt, utterly impossible to look away from.”
– SvD, Sweden ★★★★★

“Brilliant Bergman remake. /…/ A drama that hits all the perfect notes.”
– SR P1, Sweden ★★★★★

“Heartbreaking and piercing /…/ Beautiful, well-acted, poignant and emotionally charged – Faithless is a Swedish TV series treasure which moves you deeply and challenges our ideas about love, power, and betrayal.”
– Moviezine, Sweden ★★★★★

“This is what Swedish film should be like. /…/ This is an adaptation that gets everything right, with adjustments that truly add value.”
– Filmtopp, Sweden ★★★★

“The script, the dialogue, the actors – everything human that drives the story is magnificent.”
– TV-dags, Sweden ★★★★