His Holiness the Dalai Lama embraces Björn Natthiko Lindeblad’s ‘I May Be Wrong’

His Holiness the Dalai Lama endorses Björn Natthiko Lindeblad’s I May Be Wrong with the following quote:

“With our potential to maintain a peaceful state of mind, it is possible to remain optimistic in the face of difficulties. Björn Natthiko Lindeblad, a former forest monk in Thailand, relates his experience of training to properly direct his thoughts which can benefit all.” – His Holiness the Dalai Lama

Ida Borg / TV4 / C More Photo: Ida Borg / TV4 / C More

The first photos of Aliette Opheim in ‘The Congregation’

C More has released the first photos of Aliette Opheim in her role as the Bride of Christ in the anticipated TV series The Congregation.

The six-part drama is based on the novel of the same title (orig. title: Knutby) by Jonas Bonnier. Bonnier also serves as screenwriter on the series, accompanied by head writer Fredrik Agetoft and episode writer Anna Platt.

The Congregation is set to premiere on C More November 1 and then on TV 4 November 11.

The weekly Swedish bestseller lists

Niklas Natt och Dag’s 1795 continues to top the official Swedish bestseller list for hardcover fiction, keeping its No. 1 spot for the third consecutive week. Simona Ahrnstedt’s just published The Queen of the Night enters the e-book list at No. 4.

‘Dog Park’ featured amongst Oprah’s Best Translated Books of 2021

As Oprah Winfrey lists her picks for the 21 Best Translated Books of 2021, Sofi Oksanen’s Dog Park is featured on the list.

‘Dead Leaves’ published in Sweden

When the blues artist Nils loses his father, he’s unable to make it to the funeral. A few weeks later, Nils finally travels back to the small town, By, and the memories he left behind twenty-five years earlier. By is a magical place, with hop fields, mining pits and the eccentrics who live there.

It is also where Nils meets his aging mother again. Her and the butterflies she loves, butterflies which can camouflage themselves as dead leaves.

Tom Malmquist’s Dead Leaves is a warm and willful novel about finding your way home.

Jonas Gardell commended in Pär Lagerkvist’s memory

Jonas Gardell has been bestowed with Växjö Municipality’s Literature Prize in Pär Lagerkvist’s Memory 2021. The award was established in 2011 with the purpose of highlighting outstanding authorships in the spirit of Pär Lagerkvist and is handed out biannually. Gardell is praised with the following motivation: ”An authorship that with its strong anchoring in contemporary structures and historical roots alike, actualizes eternal fundamental moral issues and provides a voice to the vulnerable and those repeatedly rendered invisible.”

The award ceremony will take place on November 4th at the Växjö City Library.

Niklas Natt och Dag No. 1 in Sweden

Niklas Natt och Dag’s third and final part of the Bellman noir trilogy, 1795, stays put at No. 1 on the official Swedish bestseller list for the second consecutive week, claiming the top position in hardcover, audio and e-book this week.

‘Knocking’ to premiere in Sweden

Following its world premiere in the Midnight section of the Sundance Film Festival, Frida Kempff’s Knocking has opened in US cinemas to great acclaim. The movie will be released in Sweden on November 5. 

Knocking, based on Johan Theorin’s short story Knocks, revolves around a woman who moves into a new apartment after a tragic accident and begins to hear a disturbing knocking, which sounds like a call for help or a message in Morse code. She confronts her neighbours as the knocking intensifies but it becomes clear that no one else can hear it.

“Gripping from first scene to last.”
– The Hollywood Reporter 

“With Knocking, Kempff masterfully crafts the slow steady decline of a mind on edge. /…/ A real masterclass of building tension and character work. /…/ All will be kept on the edge of their seat.” 
– The Hollywood News

“Knocking is a Aronofsky-like knockout.”
– Pajiba

“A stifling, claustrophobic nightmare. /…/ A smouldering slow-burn of a movie that will linger in your mind for some time.” 
– Starburst Magazine

“A sharp debut. /…/ Strikingly atmospheric cinematography and an intense central performance.” 
– Screen Daily